In-depth insights into the controversy surrounding Xu Zheng's new film and social phenomena
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Today's society is developing rapidly and the industry is highly competitive. Many people are facing career challenges and transformations. Just like the 45-year-old programmer who was laid off and had to deliver food to make a living. This is not only an individual's dilemma, but also reflects the rapid changes and fierce competition in the industry.
It is no accident that Xu Zheng's new film has been criticized. In today's film and television environment, the audience's aesthetic taste and demands are increasing, and they have higher expectations for the quality, theme and values of the film. For a work to be recognized, it must not only have a wonderful plot and outstanding performances, but also be able to touch people's hearts and resonate.
These phenomena are also related to the trend of internationalization to some extent. In the context of globalization, information spreads rapidly, and various cultures and concepts collide and merge with each other. Excellent foreign film and television works have poured into China, and the audience's horizons have become broader, and the requirements for domestic films have naturally increased. At the same time, the international technological development trend has also had an impact on domestic industries, causing some traditional professions to face elimination and transformation.
Take the profession of programmers as an example. With the continuous upgrading of international technology, some old technologies and skills may no longer meet market demand. In order to maintain competitiveness, companies often lay off employees and recruit talents with new skills. This forces programmers to constantly learn and improve themselves to adapt to the changes brought about by internationalization.
For the film industry, internationalization means facing global competition. Foreign blockbusters often have high standards in special effects, plots and production, which puts pressure on domestic films. If domestic films want to gain a foothold in the international market, they must improve their quality, explore unique cultural connotations, and show the charm of China.
In short, the experience of Xu Zheng's new film and the transformation of programmers are all produced in the international environment. We need to learn lessons from these events and constantly improve ourselves to adapt to the development of the times.