the painful period of the film industry: from "hollywood flavor" to recovery, who is leading the market?

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the narrative mode of "female spectacle + southeast asian crime + social hot spots" has always been chen sicheng's representative work, but he tried to break through his comfort zone and added more hollywood movie elements to the film "decryption", which won good reputation, but the box office results were not as expected.

chen sicheng's experience is not an isolated incident. many filmmakers are trying to find new directions, such as "under the alien". these films break the traditional genres and styles and try to explore new markets, which also reflects the audience's demand for fresh things and new types of movies.

however, judging from the box office performance, these attempts are facing challenges. although comedy films with good narratives are still the golden rule, and the rule of spectacle films to ignite the emotions of viewers is still effective, the reality is not optimistic. with the changes in the market environment, filmmakers need to choose their creative direction more carefully and find a more stable way of creation.

the innovative awareness of commercial film directors who "make a lot of money" also reflects this change. many creators have realized that only by constantly trying new things can they stand out in the fiercely competitive market.

in addition to works like "under the alien", other films are also exploring new genres and styles. the success of "a small shop at the edge of the cloud" proves that young people still have a strong demand for watching movies, and "real" themes are still attracting audiences and triggering people's thinking about realistic themes.

at the same time, the two works "reverse life" and "catching dolls" also reflect this change. the light-hearted comedy style of "catching dolls" makes the pain points in real life more clearly presented, although the dangerous area of ​​"rich people pretending to be poor" also comes with it.

behind these explorations is the painful period of the film industry, but it also provides new opportunities and new directions for filmmakers. in the future, we need more innovation and experimentation to lead the chinese film industry to a new stage.